Connections | Origins
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The ways in which many small pieces come together to make up a larger whole is a central theme in my artwork. I like to compare the marks, lines, shapes, colors, and textures that are the basic language of my work to living cells, and in the context of an individual block or panel, those cells come together to comprise an organ. When I assemble several individual works together, the blocks and panels then become like organs in a body, a body that is the whole of an artwork. In contemplating the similarities between biological structures and my work, I have discovered many different connections between ourselves and the universe in which we live.
Each of our actions must have a meaning, therefore each of my lines and dots have reasons why they are created just so. All of our instincts are encoded in our DNA at the time we are conceived; our inheritance and our legacy, through the generations, continuing forever. All possibilities for human experience and survival are contained within the memory our genetic material. I am interested in finding and exploring this memory by searching within myself and letting my discoveries manifest themselves in my work.
My marks often employ circles and bars as metaphors for rain and water. Rain is about hope. It gives life to all creatures on Earth. It is an essential element in the cycle of life. The circle represents the natural duality of the infinite whole, and suggests the constant balancing forces of Yin and Yang.
The accumulation of every day life becomes history. History is the trace of time. All of my actions immediately become the past. I draw marks, and the marks become history right after I draw them. The marks are a trace of time: They are evidence of my existence.